Small Polychrome Seed Jar by Nampeyo [SOLD]

When Nampeyo was first making pottery, she was most likely making only utilitarian wares as that is what she had learned from her mother, White Corn, who passed away sometime between 1901 and 1909.  Nampeyo’s mother and grandmother were her mentors.  It was not until Nampeyo’s husband Lesso was working with the excavation party at the prehistoric Hopi Sikyatki Pueblo ruins, that Nampeyo was introduced to the magnificent prehistoric Sikyatki pottery shards that would influence her life’s work and that of her descendants.

Around circa 1880, Thomas Keam, the trader at Hopi, encouraged Hopi-Tewa potters to make pottery of the Sikyatki style.  Nampeyo was one of the potters he encouraged and apparently she was the one destined to become famous for the remainder of her life.  In 1905, the Fred Harvey Company opened the Hopi House at the Grand Canyon.  It was a three-story pueblo house designed by famous Fred Harvey architect Mary Elizabeth Jane Colter.  The intent was to have Hopi families live upstairs during summer months and demonstrate pottery making. 

The Hopi House opened on New Year’s day in 1905 and Nampeyo and her family were the first occupants.  They stayed through spring of that year then returned to their Hopi home.  Again, in 1907, Nampeyo and family moved to the Hopi House at the Grand Canyon for another summer.

During these summer months, Nampeyo demonstrated making pottery at Hopi House and she sold the ones she made.  Because of logistics, she made smaller items, of a scale that a traveler could easily take home in a carry-on pack or luggage.  This small jar is typical of what one would expect that she made at the Grand Canyon.  Some of the pottery made there had a paper label attached that specified it was Hopi pottery, some labeled From the Hopi Villages, some even stated Made by Nampeyo.  This jar does not contain one of those labels but it is of that time period when she was back and forth between the two homes.

The vessel shape of this small jar is typically the style Nampeyo made in larger scale.  The designs are Sikyatki style, particularly the abstract bird figure—the hooked angular solid red element outlined in black. The upturned rim with a wide black line outlined by a pair of thin black framing lines and the solid wide black line at mid body are typical of her work.

Condition: very good condition

Recommended Reading:  Nampeyo and Her Pottery by Barbara Kramer

Provenance: from a gentleman in southern Colorado