Santa Ana Pueblo Contemporary Polychrome Jar [SOLD]

Santa Ana Pueblo received its name in the 1600s when the Spaniards set about assigning saint’s names to all the pueblos.  The native name of this Keres-speaking pueblo is Tamaya.  At that time, the pueblo occupied land adjacent to Zia Pueblo close to the Jemez River.  Because farmland was scarce at their native lands, the pueblo chose to move close to the Rio Grande in the early 1700s.  That location is just north of Albuquerque.

A major change in pottery from Santa Ana occurred with this move.  Historically, basalt (lava) was used as a tempering agent in the same manner that Zia Pueblo potters used and still use.  When Santa Ana moved away from the lava areas and closer to the Rio Grande, the potters switched from lava to sand as a tempering agent.

After the arrival of the train to New Mexico in 1880, pottery production at Santa Ana greatly decreased because of the import of pots and pans to the area.  From then until 1940, production decreased until it almost disappeared.  Since then, there have been three attempts at revival.

The first revival of pottery production at Santa Ana occurred in the late 1940s.  The custodian at Coronado State Monument, located very near Santa Ana Pueblo, encouraged the revival of pottery making and allowed the potters to display and sell their wares at the monument headquarters.  Eudora Montoya was one of the potters in this first revival and by 1960, she was the only one remaining.

The second revival took place in 1973 with Eudora Montoya conducting classes to teach pottery-making to others.  Montoya had been hired by the Bureau of Indian Affairs in Albuquerque to conduct these classes.  The class had 18 students at the beginning.  Most of them lost interest or passed away over the next 20 years.  Eudora Montoya continued making and selling her pottery however.

The third revival of pottery production at Santa Ana began in 1994 when one of Eudora Montoya’s original students, Elveria Montoya, began teaching classes and did so for another two and a half years until eye surgery forced her retirement.  By 2005, a large number of her students were still producing pottery, however there are apparently only three potters who are active today.

One of the three potters active at Santa Ana today is Diane Menchego, the potter of this jar.  She was a student of Elveria Montoya.  Diane said she uses all natural materials for her work.  The clay is native to the pueblo and the black paint is from a mineral source.  The red paint is clay and the cream slip is native to the pueblo.

The potters at Santa Ana have a strong desire to keep their traditions alive and have done so for the past three-quarters century despite modern conveniences and commercial vessels.  Hopefully, this will continue for another three-quarters century.

Condition: new

Source: from the artist

Reference: The Pottery of Santa Ana Pueblo by Harlow, Anderson and Lanmon.