Hopi-Tewa Migration Seed Jar by Fannie Nampeyo

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Fannie Polacca Nampeyo, Hopi-Tewa Potter

Created around 1985 by Fannie Polacca Nampeyo, this seed jar is a remarkable example of her craftsmanship. Rendered in vibrant polychrome, the jar is adorned with the traditional Sikyatki migration pattern. This pattern, originating from the ancient Sikyatki pottery of the Hopi people, symbolizes the movement and journey of the Hopi clans. It often features intricate, flowing lines and shapes that mimic the flight paths of birds, embodying themes of migration and continuity.

Artist signature of Fannie Polacca Nampeyo, Hopi-Tewa PotterFannie Polacca Nampeyo's interpretation of the migration pattern on this seed jar demonstrates her skill and deep connection to her cultural heritage. The design is meticulously applied, wrapping gracefully around the vessel, creating a dynamic visual narrative. The jar is signed on the underside Fannie Nampeyo along with her Corn Clan symbol, helping to authenticat its origin and the artist identity. This piece not only reflects the traditional artistry of the Hopi but also Fannie Polacca Nampeyo's individual talent and dedication to preserving and honoring her ancestral art forms.

Hopi Pueblo artist Fannie Polacca Nampeyo (1900-1987) is perhaps the most famous of Nampeyo of Hano's three daughters and produced during the period when collectors were seriously collecting signed pottery. The other two are Annie Healing Nampeyo and Nellie Nampeyo Douma.

At that time, she was the oldest Nampeyo family member. She remained true to tradition in vessel construction and design throughout her career. I watched Fannie in every stage of pottery production but the thing I remember most was the way she would get out a large jar of Vaseline and rubbed a little bit on her fired pot, then burnish it with an old pair of panty hose that she slipped over her hand. The result was a beautiful patina.

Fannie Polacca Nampeyo, Corn Clan, had 7 children-Thomas, Elva, Tonita, Iris, Leah, Harold, and Ellsworth-all of whom were potters, full time or occasionally.


Condition: good condition

Provenance: this Hopi-Tewa Migration Seed Jar by Fannie Nampeyo is from the estate of a Santa Fe resident

Recommended Reading:

Hopi-Tewa Pottery: 500 Artist Biographies by Gregory Schaaf

Fourteen Families In Pueblo Pottery by Rick Dillingham.

The Legacy of a Master Potter: Nampeyo and her Descendants by Mary Ellen and Laurence Blair

TAGS: Hopi PuebloNampeyo of HanoAnnie Healing NampeyoNellie Nampeyo DoumaThomasElvaTonitaIrisLeahContemporary PotteryFannie Polacca Nampeyo

Alternate view of this migration pattern seed jar.

Fannie Polacca Nampeyo, Hopi-Tewa Potter
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