Charles Loloma Gold and Multi-colored Stone Inlay Size 5-½ Ring [SOLD]

This gold ring with multi-colored stone inlay is not only timeless, but perfectly exemplifies the unparalleled creativity and craftsmanship of its creator, Charles Loloma of the Hopi Pueblo.  The stones have been carefully selected to appeal to all who love both one-of-a kind jewelry and the incredible color variation the earth has to offer.  Included in the inlay are small bands of gold, celestial looking lapis lazuli, red coral, and several variations of turquoise.  

The inlays of turquoise with small deposits in them are likely Morenci turquoise.  One of the most famous and well-known American turquoise mines is the Morenci mine in southern Arizona. This mine was a major producer of natural gemstones that were used commercially for years in predominantly Southwestern and Native American jewelry.  The Morenci mine was famous for its beautiful true-blue turquoise and for its special iron-pyrite matrix deposits. 

This ring is for everyone, and every way a person could be feeling throughout one’s life.  It is both classic and unique, immensely creative and chic.  It is rare that a wearable item can shift with us over time, as we grow and change within our own lives.  Even rarer is an artist and jeweler with the vision and ability to execute such an item's creation. 

Hopi Pueblo jeweler, painter, and potter, Charles Sequevya Loloma (1921-1991), was one of the most famous and influential Native artists of the twentieth century.  His mother was a basket maker and his father a weaver, so he was exposed to Hopi artistic traditions at a young age. His elementary school teachers took notice of the natural skill with which he drew and painted.  Later, while attending the Hopi Indian School, he was presented with greater opportunities by Hopi painter Fred Kabotie, who ran the school’s successful and well-equipped art program.

Under the tutelage of Kabotie, Loloma studied painting, printmaking, leatherwork, and weaving.  After transferring to the Phoenix Indian High School for his junior and senior years, he was presented with even greater opportunities.  He was invited to travel to San Francisco and then New York to participate in major exhibitions of Native art.  Loloma, who came from humble beginnings, was excited by these early successes and continued painting after high school.  Martha Hopkins Struever’s Loloma sums up how the artist’s early experiences as a painter contributed to his later success as a jeweler: “(His) teenage experiences helped him develop a sensitivity to the use of color that later expressed itself in his choice and arrangement of stones in jewelry.”

Loloma married Otellie Pasivaya in 1941 and was inducted into the U.S. Army in 1942.  His artistic sensibilities and aforementioned “sensitivity to...color” most likely led him to his initial military role: camouflage instructor.  Later, he was involved in construction, supervising, and instructing workers during the creation of roads and bridges. Sergeant Loloma was honorably discharged in 1946, and promptly returned to his calling: creating artwork steeped in Hopi tradition.  He and Otellie tackled pottery making, spending two years studying ceramics at the School for American Craftsmen in New York. After completing their studies, they returned to the Hopi reservation.

Loloma’s pottery was unlike that of his traditionalist neighbors, who did not approve of his decidedly modern and experimental efforts.  It was, however, desirable to collectors. He enjoyed several successful exhibitions of his works in clay. He eventually left the Hopi reservation in favor of Tucson, where he was presented with greater opportunities for success and creative freedom.  He continued making pottery but began to expend more time and energy on the creation of jewelry, which would become his true passion.

Loloma was a gifted and wildly creative jeweler with a voracious appetite for knowledge and experimentation.  He studied and experimented with a variety of forms and techniques, beginning with tufa casting and Hopi overlay before developing and mastering the colorful multi-stone inlay style for which he is best known today.  His success as a jeweler made his previous endeavors appear quite modest. He traveled the world, exhibited in Paris, taught at the Institute of American Indian Arts, and was featured in print and on television alongside the era’s other groundbreaking Native artists.  Loloma passed away in 1991, after a long and successful career making works in a variety of media. Today, he is regarded as one of the best and most influential jewelers of the twentieth century. His works continue to increase in value, visibility, and collectability.

Condition: excellent condition

Provenance: this Charles Loloma Gold and Multi-colored Stone Inlay Size 5-½ Ring was purchased from Lovena Ohl in Scottsdale, Arizona, in the late 1970s through the early 1980s

Reference and Recommended Reading:  Loloma-Beauty is His Name, by Martha Hopkins Struever, 2005

Relative Links: Hopi Pueblo, jewelry, pottery, Otellie, Charles Loloma, Hopi Pueblo Artist