Special Value Offer: San Ildefonso Feast Day Dance Procession [SOLD]

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J.D. Roybal, San Ildefonso Pueblo Painter

Special Value Offer: The price of this painting has been reduced by 20% from the original price of $7500 to a new price of $6000.

J. D. Roybal (1922-1978) Oquwa - Rain God spent a large portion of his career painting small paintings, generally the size of note cards or postcards, featuring two or three costumed dancers. These were his bread-and-butter paintings as they were inexpensive and easy to sell. Occasionally, he painted larger scale paintings, again with two or three costumed dancers, but only rarely did he paint major dance ceremonies with background materials behind the dancers.

 

J. D. Roybal (1922-1978) Oquwa - Rain God signature

This is one of the major paintings on paper that Roybal executed. It has 39 human figures, several adobe houses, and a major kiva. The image records the procession of pueblo female and male dancers with a drummer providing the beat. There are Koosa Clowns among the dancers and more of them on top of the kiva. The clowns on top of the kiva are relaxing, smoking and eating watermelon. One of them is spitting out watermelon seeds.

 

All the figures are marvelously rendered and painted, with typical attention to detail in the depiction of accoutrement such as the jewelry being worn and the face paint of the dancers, as well as the drum, woven sash belts and the high Pueblo-style moccasins worn by the male dancers. The figures stand upon an abstracted baseline with polychrome geometric motifs. Behind the row of dancers looms a large kiva, which anchors the painting and provides a backdrop for the dancers.

 

The painting is signed in the image J.D. Roybal with a roadrunner cartouche, but not dated. It is framed in a wood frame.

 

Condition: it appears to be in excellent condition.  It is framed using acid-free materials.

Provenance: from a New Mexico resident

Recommended Reading: Southwest Indian Painting: A Changing Art by Clara Lee Tanner

Roybal spent a large portion of his career painting small paintings, generally the size of note cards or postcards, featuring two or three costumed dancers. These were his bread-and-butter paintings as they were inexpensive and easy to sell. Occasionally, he painted larger scale paintings, again with two or three costumed dancers, but only rarely did he paint major dance ceremonies with background materials behind the dancers.  This is one of the major paintings on paper that Roybal executed. It has 39 human figures, several adobe houses, and a major kiva. The image records the procession of pueblo female and male dancers with a drummer providing the beat. There are Koosa Clowns among the dancers and more of them on top of the kiva. The clowns on top of the kiva are relaxing, smoking and eating watermelon. One of them is spitting out watermelon seeds.  All the figures are marvelously rendered and painted, with typical attention to detail in the depiction of accoutrement such as the jewelry being worn and the face paint of the dancers, as well as the drum, woven sash belts and the high Pueblo-style moccasins worn by the male dancers. The figures stand upon an abstracted baseline with polychrome geometric motifs. Behind the row of dancers looms a large kiva, which anchors the painting and provides a backdrop for the dancers.  The painting is signed in the image J.D. Roybal with a roadrunner cartouche, but not dated. It is framed in a wood frame.  Condition: it appears to be in excellent condition.  It is framed using acid-free materials. Provenance: from a New Mexico resident Recommended Reading: Southwest Indian Painting: A Changing Art by Clara Lee Tanner

 

J.D. Roybal, San Ildefonso Pueblo Painter
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